Discuss the Baroque sense of drama and the use of light in Caravaggio’s Conversion of St. Paul and The Calling of St. Matthew, and Genteleschi’s Judith and Maidservant with the head of Holofernes.

Discuss the Baroque sense of drama and the use of light in Caravaggio’s Conversion of St. Paul and The Calling of St. Matthew, and Genteleschi’s Judith and Maidservant with the Head of Holofernes. Which one of the three do you find most moving or appealing, and why?

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