How the film “S-21” deals with traumatic memory

USE THESE THREE SOURCES IN PAPER (2 ADDITIONAL OPTIONAL SOURCES AS WELL TO REACH 5 TOTAL).

-Deidre Boyle, “Shattering Silence: Traumatic Memory and Reenactment in Rithy Panh’s S-21: The Khmer Rouge Killing Machine”, Framework, vol 50 (1-2) (2009), 95-106.

-Dori Laub, “Bearing Witness and the Vicissitudes of Listening”. In Testimony: Crises of 3
Witnessing in Literature, Psychoanalysis and History, Shoshanna Felman & Dori Laub (eds.),
Routledge, 1992, 75-92.

-Alison Landsberg, Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture, Columbia University Press, 2004, 111-139, chapter 4 (“America, the Holocaust,
and the Mass Culture of Memory: The ?�Object’ of Remembering”).

ASSIGNMENT:
Show how “S-21” deals with traumatic memory. Draw paper from articulated research question that reflects upon film,memory, and genocide.

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