You’re invited to a Party
Romantic music also commonly referred to as the music in the Romantic period identifies with the artistic and musicological term directed at a specific theory, period, canon, compositional practice and the history of Western music dated 1800-1920 (Walters and Neely 21). This paper identifies with Vincenzo Bellini, an Italian born in 1801 and died in 1835; he specialized on opera composing referred to as the la Sonnambula, l Puritani and Norma among others. Another composer considered is Mikhail Glinka, a Russian born in 1804 and died in 1857, he specialized as a national composer in operas an example being the Symphonie Fantastique. The third composer identified with Engelbert Humperdinck, a German born in 1854 and died in 1921, he was an opera composer.
A meeting among Vincenzo Bellini, Mikhail Glinka and Engelbert Humperdinck would spark a discussion on Opera music since three individuals had the taste in that form of music (“The Romantic View of Nature & The Romantic Hero” 5). The trio would discuss on the dramatic work involved in opera depending the cultural affiliation of their different nations. Opera music from Germany, Russia and Italy were performed in a different way although with some similarities.
The trio would discuss on the sceneries, spoken theatre, acting and the diversity of costumes used in different nations. Language would present a communication barrier among the trios, since Germans, Italians and Russians communicate in different languages. There are possibilities that the trio would source for interpreters in order for them to communicate effectively, not only using sign languages. Opera music originated from Italy, and slowly spread to other parts of the world (Sherrane par. 9); there are high chances that Vincenzo Bellini of Italy would offer critical insights to the Russian and German on the Opera music topic.
Works Cited
Sherrane, Robert. Music History 102: The Romantic Era . 2012. 23 July 2013 <http://www.ipl.org/div/mushist/rom/>.
“The Romantic View of Nature & The Romantic Hero.” The Romantic Era – 19th Century (2003): 1-6.
Walters, Richard and Neely, Blake. The Romantic Era: 55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo. Milwaukee: Hal Leonard , 2003.
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